When you have a lot of people in the room, it’s easier to get into the groove of the music and make them feel like they’re part of the rhythm.
If you can get into that groove and make your audience feel like you’re the one playing, then it’s going to feel great.
I like to make the people feel like I’m playing because I like that, and I think that’s what happens with drummers and singers and percussionists.
The more they can get in the groove and feel like we’re the ones doing the music, the better.
So I like making the audience feel that.
The first step is just to get the people into the rhythm and feel that they’re playing the music.
Then you’ll be able to get a rhythm going that feels natural and fun.
If they get into it, then you can make them really enjoy it.
There are two ways you can do that.
One is to just play a drum solo and let the other person do all the work, and they’ll do all that work for you, and you can actually get the rhythm going.
The other is to have a percussion instrument that’s attached to the music that you’re playing.
That’s how you can play a percussion part that you want.
The two things that go together are, the drums are going to have to be in tune and that the percussion is going to be going at a normal rate.
If the drum is going faster than the other instruments, the music is going too fast.
That makes the rhythm slower and the music too fast and you’re not going to enjoy it because you don’t get the feel of what the drums or the percussion instruments are doing.
That will cause the audience to think, “Wow, I can’t get into this rhythm.”
That’s the other way you can change the rhythm, but I’m going to go into the drum solo.
I’ll play a couple of notes and then just let the percussion player take the rest.
So the other thing you can use is to put a piece of paper in the drum kit and have a bunch of percussion instruments, then put a paper on top of the paper and have the other percussion instruments come up to the paper.
I don’t want you to play the paper down so you don´t hear what they’re doing, so I like putting the paper on the paper that they can hear the sound.
You want to get them into the correct rhythm, so that they feel like, “I’m the one doing this.
I have the rhythm.”
Then you can start playing.
The way you play the drum and the rhythm will depend on how you play.
If it’s a traditional drum solo, then I like it.
If I’m doing a different kind of drum solo than traditional drum solos, I don´ t.
If there is a percussion piece that you can’t really play on the drum because you have to play something else, then that’s not a traditional rhythm.
But if there is percussion, then if it is in the background, then let it be.
If someone is playing the drums, then they’re the only one doing the percussion.
The percussion can be playing at a speed that’s slower than the drums and that is what I prefer.
So when I’m making the drum solo, I like having the percussion play.
So for this particular drum solo that I’m performing, I’ll have my percussion player play the first three notes and just let it play.
Then I’ll just let him play the next two notes, and then let him do the next three.
Then let him get the next four notes, the next five, the last six, and so on until I get to the last note.
Then he’ll go through the last two notes and play the last three.
It’s a very simple way of playing.
If he does it correctly, then the music sounds good.
It has that rhythm.
So if you want to learn more about how to play with a percussion kit, then go to my article on how to practice a drum kit.
That is the way to do it.
And then you just have to make sure that you use that drum kit in the right way.
It can be fun to learn a lot about a percussionist, but you also have to learn how to use your instruments and use the drum as a musical instrument.
And if you can put your instruments in the correct position and play them at the right speed and the right pitch, then what you get is a very fun, unique drum performance.
And that’s why I recommend that you get into a percussion training program.
You can use that to get your practice to go a little faster.
But the important thing is that you learn how the drums work and what they are used for and that you know what you’re getting into.
I recommend getting into a drum training program for the same reason I recommend you get a percussion certification.
You have to understand how the drum works.
You need to understand the drums